Beth Carter; Fighting Clowns I; Plaster Relief; Pre-Edition

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Beth Carter; Fighting Clowns I; Plaster Relief; Pre-EditionOrigin: English Period: 21stC Provenance: Direct from the Studio of Beth Carter; Pre Edition Date: c. 2017 Height: 32. 5 Width: 32. 5 Depth: 5 (all at extremities) See here for an introduction to the work of Beth Carter.

This chaise’s desirability comes from the fact the leather is original and untouched and wonderfully decorative and she proves very comfortable too without the need to re-spring or re-webb

25 inches x 40 inches

there are of course small armorial seals in wax but having something of this size is unusual and the wax is similar to that used in the late 17th century when religious figures were made

Walsh and his fellow Liverpool artist Adrian Henri were introduced to Francis Bacon

The rare and fine stuffed and mounted L'Hoest's monkey (Cercopithecus lhoesti) specimen mounted upon a well proportioned early nineteenth century stick-back child’s single chair with remnants of the original green finish

Children were no longer perceived simply as small adults and childhood began to be recognised as an independent state associated with nature

used in a space in any kitchen or cellar for instance

and the string to pull the mouth open has thinned and is no longer attached to the lever

It has clearly been well used but also looked after

1695–1752) who was desirous to have the "largest and finest silver cistern that ever was or could be…" A first sketch of the design honouring the wine god Bacchus was carried out by the antiquarian and engraver George Vertue (1684-1756) and the wax models for the figures were executed by the Flemish-born English sculptor John Michael Rysbrack (1694–1770)

with a grand front

100 species

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