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Lucile Boiron, Bouche / Special EditionIn line with her previous works, the series Bouche delves into the artists family intimacy to probe the boundaries between the monstrous, the mundane, and the desirable. Fragments of bodies, striking close ups of mouths, remnants of decomposed meals, altered skins, enigmatic still lifes, and indeterminate gelatinous materials are featured. Drawing inspiration from the reflections of Julia Kristeva and Barbara Creed on abjection and the monstrous

along with the creative process that takes place exclusively in the outdoor space as well as the documenting of that process is firmly rooted in movements such as Land Art and conceptual art of the 1960s and 70s

meaning that sometimes her imagery becomes unrecognisable

Isabelle De Baets

Isabelle Makay and Oscar Van den Boogaard

sculptural body but I was also drawn to her face which is sweet

‘The Girl Who Crossed the River with a Tablecloth’ is presented at the Kunstkabinet of the Jewish Museum in Amsterdam

seen from within

his name is Vincent

Wenzel questions the role of the camera and the one of the (female) body

The book is the result of a 4-year project in Bosnia-and-Herzegovina where Thomas Nolf came across the existence of pyramids

Who is Xenia as a character and what does she express

A previously enclosed block suddenly becomes an open volume

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