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Max Eulitz – Notes on 41In the beginning was the word. Or rather, a rumour that put Max Eulitz on a flight to Kyiv in 2019. He was following the chatter about an ambitious new techno club: one without a name, yet full of promise. During a residency at the Goethe Institut Kyiv, Eulitz witnessed the transformation of a massive, Soviet era brewery into this no name cluba centre of subculture intent on rivalling the best techno churches of the Western world. This landmark site,

and collaborations

The shapes are original and familiar

The book is published in 2019

a town hall

Edited by Emily Richardson and Jonathan P

made from stumps

reflecting surfaces and lavish ornamentation form the décor

when ambitious auto mechanics would tinker away at a racing car in the local garage and international Grand Prix stars were still approachable

Physically

It also includes interviews and Rubin’s script

Starting from a series of design research residencies in the context of the Porto Design Biennale

She analyses the visual formulas of different media and reveals their mechanisms and manipulation strategies by stripping away their contextual setting

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